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Kirchen im Alten Land

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The history of our church

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The diocese of Jork was referred to for the first time in 1221, in a document signed by the Bishop of Verden, Iso von Bremen. The name most probably originated from the Latin, Majorca, meaning tithe land.
The parish of Jork belonged to the Hollenstedt archdeaconry, which was under the authority of the Andreasstift - St. Andrews's cloister - in Verden. In 1543 the first Lutheran clergyman, Lüder Möhring, came to Jork. Then, in 1652, Franziscus Moeller was appointed - the first Swedish deacon in the Altes Land. Until 1945 Jork remained the seat of the `Superintendent´* for the Altes Land.
Originally built on a knoll, over the years the brick church was rebuilt, refurbished and extended. The present nave was renovated in two phases, in 1664 and 1709. It is 40 metres long and 14 metres wide.
The bell tower stands slightly apart from the main church building. It is 35 metres high and was originally built in 1685. The wood on the tower was entirely renovated in 1998/99 along with the church steeple.

The walls of the expansive interior are painted white. They are vaulted by a blue, wooden barrel roof with numerous gold stars on it. With its supporting beams, it is reminiscent of an inverted ship.
The stall or box pews are also blue. They are Baroque, in other words, 17th and 18th-century. The doors on the pews open onto the centre aisle and have traditional, luck-bringing signs ornamenting them. One of these is a heathen stag motif taken from the Grimmirlied in the Edda saga. The ends of the stalls have the names of the former pew owners carved on them (I Ste or Stede = 1 Stelle, i.e. 1 seat). Many of the names can still be found in Jork today.
The pews in the chancel are exceptional, because they can be folded back to face the other way. This was originally so that churchgoers could face the pulpit during the sermon. The mechanism was retained when the church was renovated in 1986 and is still used sometimes. There are over 200 cushions in the pews, made over the past twenty years at the instigation of the local handwork group.

The altar is late Baroque and eight metres high. It was designed and made by Johann Rinck. On it, the Last Supper, the Crucifixion, and the Burial and Resurrection of Christ are depicted. The four figures are the four Evangelists: Luke and John on top, Matthew and Mark below. The altar was donated by Claus and Anna Schuback in 1710, who came from a Hamburg merchant family and wished to express their gratitude for a life of prosperity. The family were given a seat of honour in the church: the ornately carved, enclosed pew on the front, right-hand side. The family also contracted to be buried under the centre aisle of the church, in front of the altar, on the proviso that the grave would never be reopened. Unfortunately, this was unavoidable during restoration work on the church heating, during which burial chambers were found underneath the whole of the pew area of the nave. Gravestones which had been removed during earlier renovation work were then returned to the centre aisle during the most recent restoration work.

Behind the Schuback pew is the so-called Juratenstuhl, the pew in which the parochial church council sat. Adjoining it is the former preacher's pew or confessional, which now serves as a vestry. On the other side of the altar one finds the special pew for the preacher's wife. Pastor Brinkmann's wife did not enjoy good health, however, so could not use it. Instead, in 1787 she had what was then a "chalk store" (chalk was used as a disinfectant) converted into a place to sit, and a small window set in the wall. She then rented out the preacher's wife's pew for a fee every Sunday until she had collected enough money to pay for the new seating.

The gallery above the bridal door was known as the "von Haaren'sche Prieche" and was erected by Matthäus von Haaren, a military Captain from Twielenfleth. During the Thirty Years War, General von Königsmark made him a Count, with oversight over the Altes Land. It was he who built the "Gräfenhof", which is the present Town Hall in Jork. His family coat of arms - three sharpening irons for sharpening scythes - can be seen on the parapet of the house.

In 1664 the von Haaren family also donated the pulpit and canopy, both of which are elaborately carved. Round the edge one can read: "Thue Daß Werck Eines Evangelischen Predigers Richte Dein Ampt Redlich Auß. 2. Tim 4, 5." ["Work to spread the gospel, and do all the duties of your calling." Second Letter of Paul to Timothy, 4,5)]. In 1665, the year after they were erected, the pulpit door and stairs were painted.
The font is of plain, carved stone and originates from 1791. The bowl and lid are of brass, and of a later date.

The organ was originally built by Arp-Schnitger. Three stops and the organ front - which was erected in 1709 and now has a preservation order on it - are all that remain of the original organ. In 1982 the fundamentals were rebuilt by Alfred Führer from Wilhelmshaven, who copied old plans for a mechanical, sound-board organ and made the pipes replayable. The organ has 22 stops and two cymbel stars.

The 31 pictures on the gallery below the organ also date back to 1709. The top row shows scenes from the Old Testament, the bottom row the Creation of Man, the Fall of Man and the Expulsion from Paradise. They are followed by scenes from the life of Christ and Whitsuntide. The majority of the pictures were copied from etchings of scenes from the Bible made by Matthäus Merian the elder (1593-1650) between 1625 and 1630."
The four paintings on the walls are of clergymen. On the right, next to the pulpit, is Franciscus Fexerus, who was pastor in Jork from 1656 to 1679 and began the new extension to the church in 1664. Clemens Diecmann (who was in Jork from 1680 to 1715) can be seen over the Choir stalls. He completed the building of the church in 1709. His successor, Johann Samuel Büttner (in Jork from 1715 to 1747) can be seen on the north wall of the church. He is chronicled as having said: "Those found drinking or smoking tobacco during the church service are to receive serious punishment …". Next to him is the last `Superintendent´ of the Altes Land, Franz Bernhard Focken, who died in February 1945. His portrait was painted by the Jork painter Richard Eggers (1905 to 1995). The small painting to the left of the pulpit is of the Hamburg merchant Johann Schuback, who gave alms to the poor of the parish of Jork in around 1750.
The triptych on the south wall was also painted by Richard Eggers. It depicts the Ten Commandments, the Crucifixion and the calming of the waters. Following a serious accident which bound him to a wheelchair, the artist vowed to paint these pictures if he could ever paint again.
The candelabra over the centre aisle was also made in 1667, but donated to the church by the Schliecker family from Osterjork in 1890. Of three candelabra, it is the only one still in existence. The other two were surrendered as scrap metal in the Second World War. This one bears the inscription: "Wir haben ein festes prophetisches Wort und ihr tut wohl, dass ihr daran achtet, als ein Licht, das da scheinet in einen dunkeln Ort bis der Tag anbreche und der Morgenstern aufgehe in euren Herzen. 2. Petrus 1". ["All this confirms for us the message of the prophets, to which you will do well to attend, because it is like a lamp shining in a murky place, until the day breaks and the morning star rises to illuminate your minds." (Second Letter of Peter, 1,19)]

The crowns above two of the paintings of the clergymen and the ornamentally carved chairs are not a sign of nobility but indicate the Revelation of St. John (John 2, 10) "Sei getreu bis in den Tod, so will ich dir die Krone des Lebens geben" ["Only be faithful till death and I will give you the crown of life." (Revelation of John, 2,10)]. They are typical of Protestant church decoration of the Baroque era. Services at St. Matthias Church are at 10.30 a.m. on three Sundays in the month. Every second Saturday there is a musical evening service at 6.30 p.m.

St. Matthias Church invites you to take a closer look - here are examples of things to look for:

 

The name of the church

Matthias

ST. MATTHIAS - St. Matthew - was chosen to succeed Judas as Apostle (see Acts of the Apostles 1, 15-26). His relics were buried in Trier, after being preserved in Rome. Pilgrimages have been made to his shrine in the Rhine-Main area since 1148. St. Matthew's Day is 24th February (25th February in leap years). His succession as Apostle is celebrated on the Sunday after Ascension Day each year. No-one knows why the Jork church was named after St. Matthew. It may be for one of the above reasons - for instance, that the foundation stone for the church was laid, or the church itself consecrated on St. Matthew's Day.
There is no effigy of St. Matthew in the church. The only image of him was copied from one in
St. Matthew's Abbey in Trier.


Our church

Built on a knoll, the brick church has been rebuilt, restored and extended several times over the centuries. The present transept was restored in 1664 and 1709. It is 40 metres long and 14 wide.


The bell tower

St. Matthias Gemälde

The bell tower stands slightly apart from the main church. It is 35 metres high and was originally built in 1685. It is made of wood, which, with the slate steeple, was completely renewed in 1998/1999.


The pulpit

St. Matthias Kanzel

On the gallery to the north side of the church, above the bridal door, one can see the coat of arms of Matthias von Haaren, who was Administrator in Charge of the Altes Land in 1664.The pulpit, which was built in 1664, bears his coat of arms - a sign that it was donated by Matthias von Haaren.

The diocese of Jork

The name most probably comes from the Latin, Majorca, meaning tithe land. It was first mentioned in 1221, in a document signed by the Bishop of Verden, Iso von Bremen.


The altar

St. Matthias Altar
St. Matthias Altar

The altar is late Baroque and eight metres high. On it are depictions of the Crucifixion and the Resurrection, and the four Evangelists. It was donated in 1710 by the Schubacks, a Hamburg family of merchants.


The church interior

The interior is painted white. It is vaulted by a blue, barrel roof, studded with numerous gold stars - allegedly 150, for the number of psalms.

The pew stalls are also painted blue, with doors opening on to the centre aisle, on which lucky signs are depicted. The sides of the pews are ornate and have the names of their former owners carved on them.


The font

The font is of plain carved stone which carries a brass dish dating back to 1791. The actual baptismal bowl and the crystal sphere on its lid are of a more recent date.


The seating

St. Matthias

The seating originates from 1695. It was first painted the present colour in 1954/55, and renovated in 2003. There are at least five more layers of paint to be found underneath the last coat.


The pews

St. Matthias

The pews were modified in the mid 1980s, to provide more seating space. This can be clearly seen from the new pieces of wood which have been inserted. The pews were all painted the same colour during renovation work in 2003.


The paintings

St. Matthias
St. Matthias
St. Matthias

In the top row of the organ gallery, on the north side, one finds a picture of the fight between David and Goliath. It was copied from an illustration in one of the most well-known Lutheran "books of edification" which was printed around 1700 and written by the former Church Area Superintendent for Celle, Johann Arndt, entitled "Vom wahren Christentum" ("About true Christianity"].

The triptych was painted by Richard Eggers in 1984, in other words, about 40 years after his picture of Superintendent Bernhard Focken. The same painter, but two different styles. After an accident which bound him to a wheelchair, Eggers vowed to paint a triptych if he could even paint again.

He used his family as models. His widow donated the picture to the parish of St. Matthias, after it had previously been on loan.
On the south side hangs the epitaph to the clergyman Clemens Diecmann, who completed the building of the church in 1709.
 


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